Head, Hand, Stylus, Surface
A designer’s most powerful means of communication is drawing. With each line or iteration we explore what is possible, alternately revealing fresh ideas and clarifying intent. Through the feedback loop between head and hand (and sometimes mouse), we better understand our subject, convey an atmosphere, or find form.
With this weekly, enjoy an inspiring series of essays from Robin Evans and Peter Cook, a well-curated drawing blog, and a representation manual. Take a serious look at how others consider the incredible practice of drawing, and get excited about the power you wield!